Wicked – 3.5/5

Wicked is a big win for Hollywood musicals and an undeniable triumph for the genre’s cinematic resurgence. It’s also, for better or worse, a cultural boon for the most “passionate” breed of theater enthusiasts—those theater kids whose fervor can make even the most patient moviegoer wince. Still, setting aside the raucous sing-alongs and unsolicited commentary, the film’s sheer spectacle and emotional depth make it well … Continue reading Wicked – 3.5/5

Anora – NYFF Review 4.5/5

By Will Giminaro Sean Baker’s Anora is a cinematic triumph, a testament to his rare ability to tell deeply human stories with raw, unvarnished authenticity. From the very first frame, it’s clear that Baker’s vision is both intimate and unflinching, inviting us into a world as vibrant as it is precarious. But Anora is more than a film—it’s an experience that lingers, each scene etching itself into your memory … Continue reading Anora – NYFF Review 4.5/5

A Real Pain – NYFF Review 4/5

By Will Giminaro Jesse Eisenberg’s A Real Pain is a remarkable blend of humor and heart, a film that masterfully balances wit with raw emotional depth. Anchored by the magnetic charm of Kieran Culkin, who shines as a lovable yet flawed jerk, the film offers a poignant exploration of grief, legacy, and the complexities of familial relationships. From its first moments, A Real Pain feels profoundly personal, as if … Continue reading A Real Pain – NYFF Review 4/5

The Holdovers 4.5/5

By Will Giminaro D’avine Joy Randolph is nothing short of a revelation. Her performance is rich with emotional depth and subtle nuance, allowing the audience to connect with her character on a profoundly human level. Each glance, pause, and line delivery feels intentional, drawing viewers deeper into her world. Paul Giamatti, as ever, remains one of Hollywood’s most consistently underrated actors. Here, he reminds us … Continue reading The Holdovers 4.5/5